FOCUSRITE LIQUID MIX 16 DRIVER DOWNLOAD

The good news is that all 40 compression models and all 20 EQs remain from Liquid Mix. While the screen dedicated to showing your compression and EQ settings is gone, the metering remains as before. As standard, half of the processing power is gone. The proprietary DSP allows the intensive “Dynamic Convolution” processing that is at the core of the product, to have very little impact on the host computer’s CPU. In other words, if particular functions such as Attack and Release settings weren’t available on the original compression unit in question, Liquid Mix’s Free mode enables you to tweak these parameters anyway, effectively meaning that a classic pile of processors gets dragged kicking and screaming into the 21st Century. FireWire control surface with dedicated DSP 16 channels of Liquid Mix compression and EQs run off the dedicated DSP The physical metering, rotary controls and buttons on the hardware help to provide a tactile experience Each channel appears as, and acts exactly like a plug-in with the controls of each compressor and EQ identical to those of the originals. Firstly, does the absence of a screen bother you and, secondly, can you live with only half of the processing power?

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We’ve always been a fan of this on Liquid Mix as Focusrite has taken it seriously. FireWire based control surface with dedicated DSP. After trouble shooting for 3 hours I finally gave up Focusrite’s Liquid Mix was originally released in to wide acclaim.

Rated 4 out of 5 by The Wrabbit from Great but not without flaws I’ve used this in just about every mix i’ve made since buying. You can get fat and warm tones easy.

Here was a FireWire-based desktop box, which co-ordinated with a set of plug-ins to unleash a brand new technology: Liquid Mix 16 takes the very same compressors and equalizers found in the earlier product and provides 16 channels of dynamics and EQ. All of this is achieved courtesy of the relationship between the plug-ins themselves and the hardware unit which controls them, which is where the processing is carried out.

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FireWire control surface with dedicated DSP 16 channels of Liquid Mix compression and EQs run off the dedicated DSP The physical metering, rotary controls and buttons on the hardware help to provide a tactile experience Each channel appears as, and acts exactly like a plug-in with the controls of each compressor and EQ identical to those of the originals.

The moment we discovered that a stripped-down Liquid Mix was to become available, we assumed that the ‘cutting back’ would include some of the compressor and EQ types, so we’re delighted to discover that this isn’t the case. Whichever Liquid Mix you choose, you won’t be disappointed – it’s a dynamics and EQ solution that remains a class apart.

This technology is Focusrite’s alone and, in Liquid Mix, 40 compressors and 20 EQs were modelled from specific classic mixing desks and outboard hardware. Firstly, does the absence of a screen bother you and, secondly, can you live with only half of the processing power? As standard, half of the processing power is gone.

The same controls flank the unit, with the bottom row of dials mostly dedicated to control of the compression settings while Gain, Frequency and Q dials allow control of the EQ, along with the EQ Band Select button, which cycles through the bands. The compressors are unbelievable, they sound better than most other plugin emulations and take the strain off the cpu. Update Unrecognized Zip Code. It’s great to be able to keep things fresh with alternative compression and EQ models too and, as switching these in and out is so simple, Liquid Mix really encourages a bold, creative approach to work.

And the really good news? Hopefully focusrite revisits this product in the future with a more modern, kink free unit. Will you really miss the screen? The Liquid Mix 16 does not have a LCD display and because of this, plug-ins cannot be instantiated from the hardware. Write a review cysczbaqfbtwttxxerbczdbscffrwrrtfysus. The main difference between the Liquid Mix 16 and the Liquid Mix is the number of channels each provides at various sample rates.

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See any errors on this page? The good news is that all 40 compression models and all 20 EQs remain from Liquid Mix. This process provides a true representation of the actual analog circuitry while still allowing for absolute repeatability, something often impossible to achieve in the analog domain.

Housed in a desktop control surface with its own DSP, the system is connected to a computer via FireWire. It works great and sounds great.

Focusrite Liquid Mix 16 review | MusicRadar

Our Verdict Focusrite’s Liquid Mix technology at a knockdown price – what’s not to like? So, what else is different? The included external power supply can be utilized in the event that the computer has only a four-pin FireWire connector An optional DSP expansion card is available to increase the maximum channel count at higher sample rates.

Similarly, the EQ algorithms can be applied one band at a time, so if you want the sound liqyid a classic ’60s British EQ on the top-end of your mix but want something smoother to round out the lower frequencies, no problem.

MusicRadar

There’s no disputing the quality of Liquid Mix. Each one of the 16 mono plug-ins can be a different compressor and hybrid EQ, chosen from a list of forty compressors and twenty EQs, representing both vintage and modern “classic” analog processors.

Instead, if you’re pondering a purchase, you’ve got a simple couple of decisions to make.

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